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Los Angeles artist Brigette Burns debuts a new series of compelling
ink and brush drawings on painted paper (paint chips) in her second
solo exhibition at Heather Marx Gallery from July 8 through August 14,
2004. Whereas Burns' earlier drawings were comprised of found imagery
from commercial sources, these new drawings represent images of people,
objects, and places drawn from the artist's personal history. Through
this unique visual language, Burns creates intimate images that hauntingly
reconstruct her recent past.
Burns no longer relies on the paint chip titles as the catalyst for her
imagery. Instead, she now uses the paint chips to build a surface of
abstract color on which to lay her forms, erasing all traces of text
from the chips. The result is her beautifully deft drawings taking center
stage. Her Romanticized titles such as The Memory Suddenly Revealed Itself,
The Moment Before, and Breathing Room allude to her new exploration of a
more personal state of mind. After creating several drawings on the individual
painted paper, the drawings are then, according to Burns, "taken apart
repeatedly without rearranging the images in a linear timeline or a narrative
of an exact event." By shuffling her elements in this manner, Burns ultimately
reveals the memories of a past emotional or mental state.
The artist continues to play brilliantly with the relevance of narrative
and compositional structure in her work. A sequence of chips, either
horizontal or vertical, will often be interrupted by blank spaces that mimic
her cropped subjects. Such spaces offer holes in the narrative, whereby the
viewer is challenged to visually "fill in the blanks." Just as Burns reconstructs
paint chips in a myriad of constructions, so too is memory reprised, rethought,
and ultimately revisited. Not only has Burns demonstrated her command of the
medium of brush and ink, she has also succeeded in producing a body of work that
is playful, sexy, contemplative, and very much a portrait of herself.
Burns was a recipient of a California Arts Council Grant in 2003 and has
shown extensively, including a solo show at Acuna-Hansen Gallery in Los Angeles,
the traveling show Representing LA at the Laguna Art Museum in Southern California,
and Shores Space in Amsterdam, among others. Her work has been reviewed and
featured in Contemporary, the San Francisco Chronicle, SFGate.com, the Orange
County Register, the Orange County Weekly, Artweek, and New American Paintings.
Her work is also featured in several private and public collections, including the
JP Morgan Chase Art Collection in San Francisco and New York. Burns received her BA
from New York's Hunter College in 1990.
July 2004 - Steve Zavattero
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